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In the music of the greats, contrapuntal complexity seems to fill an emotional need (such as emotional intensity in Beethoven, or exultant joy in Mozart).
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"The Opus 20 set of quartets was written in 1772 as the composer was coming into his full powers, and is commonly held to be his breakthrough work in the genre he pioneered. "It is immensely frustrating - a wonderful performance, and not a scrap of newsprint to tell the world it happened." ( An Equal Music, p. 59 & 85-90.) Each piece has a fugal movement. 199)ĬONCERT IN LONDON by the Maggiore Quartet: (See An Equal Music, p. A marriage? a firm? a platoon under fire? a self-regarding, self-destructive priesthood? ( An Equal Music, p. "From the very outset, it sets foot into the turbulent world that Beethoven would later explore in such works as the "Pathétique" Sonata and the Fifth Symphony." (Howard Posner, program notes)
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The Quintet was originally Piano Trio #3 and later arranged for string quintet. 290)īeethoven, String Quintet in C minor, Op. "I feel no affinity for Brahms, Piers can't stand him, Helen adores him, Billy finds him 'deeply interesting'." ( An Equal Music, p. This rhythm contributes to the questing, somewhat driven quality of the movement." (Misha Amory) The first movement has an underlying rapid 8th-note motion that persists almost without pause. The prevalent character of the quartet as a whole is restless and intense. It is in part owing to his consciousness of Beethoven's achievement that he was forty before he published a single symphony or string quartet. "Like many composers of his generation, Brahms held Beethoven in awe, claiming to hear "the footsteps of a giant" behind him. The Preludio, which was adapted by Bach for use in two of his cantatas, proceeds almost entirely in brilliant sixteenth notes.īrahms, String Quartet #1 in C minor, Opus 51 Partita #3 consists of dance movements that are mostly French in origin: Preludio, Loure, Gavotte en Rondeau, Menuet I and II, Bourrée, and Gigue. 242-3)īach, Violin Partita #3 in E major, BWV 1006, Preludio (first 4 minutes) Bach, Partita #3 "Without "Die Liebe", without the help of my friends, how would I have recollected myself?" ( ( An Equal Music, p. "Die Liebe" with poetry by Gottlieb von Leon. "Gute Ruh, gute Ruh" (poetry by Wilhelm Müller) is the last of 20 songs in Schubert's song cycle, Die Schöne Müllerin (The Beautiful Mill Maid). Schubert, "Gute Ruh, gute Ruh" ("Good rest, good rest" ) Mir graut es, wenn ich sein Antlitz sehe -Ī man stands there also and looks to the sky,Īnd wrings his hands overwhelmed by pain:ģ. Und ringt die Hände, vor Schmerzensgewalt The night is quiet, the streets are calm,īut the house still stands, here in the same place.ĭa steht auch ein Mensch und starrt in die Höhe, Sie hat schon längst die Stadt verlassen,ĭoch steht noch das Haus auf demselben Platz. Still ist die Nacht, es ruhen die Gassen, "Der Doppelgänger" (poetry by Heinrich Heine) is one of six songs from Schubert's song cycle,ĭie Schwanengesang (Swan Song). 219)ĭietrich Fischer-Dieskau, baritone: Schubert, "Der Doppelgänger" Schubert, "Der Doppelgänger" (4 minutes, An Equal Music, p. "I am the trout, the angler, the brook, the observer." ( An Equal Music, p. "Die Forelle" is the tune on which the variations of the Trout Quintet are based. Or Dietrich Fischer-Dieskau, baritone: Schubert, "Die Forelle" "Music, such music, is a sufficient gift."
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